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License to Deceive

June 15 – September 20, 2017

Jasper Francis Cropsey (1823–1900), Head of the Lake, 1877

Jasper Francis Cropsey (1823–1900)

Head of the Lake, 1877

Oil on canvas, 30 1/8 x 23 in.

Frederic Edwin Church (1826–1900), Sketch at Chimborazo, about 1854

Frederic Edwin Church (1826–1900)

Sketch at Chimborazo, about 1854

Oil on paper mounted on panel, 11 x 17 in.

George Cope (1855–1929), Harper's Weekly, 1892

George Cope (1855–1929)

Harper's Weekly, 1892

Oil on canvas, 20 x 16 in.

Lily Cox-Richard (b. 1979), Untitled (Large Drawing #2), 2014

Lily Cox-Richard (b. 1979)

Untitled (Large Drawing #2), 2014

Hammered lead on paper, 8 1/4 x 11 3/4 in.

William Michael Harnett (1848–1892), The Smoker’s Companions, 1878

William Michael Harnett (1848–1892)

The Smoker’s Companions, 1878

Oil on canvas, 9 x 12 in. 

Larry Kagan (b. 1946), Magritte's Paradox, 2012

Larry Kagan (b. 1946)

Magritte's Paradox, 2012

Steel and shadow, 19 x 22 x 9 3/4 in.

Tiered Square Table in the Aesthetic Taste, about 1880, A. & H. Lejambre, Philadelphia (active 1865–1907)

Tiered Square Table in the Aesthetic Taste, about 1880

A. & H. Lejambre, Philadelphia (active 1865–1907)

Rosewood, with mixed wood and mixed metal inlay, and brass straps and sabots

27 1/4 x 20 1/8 in.

Tiered Square Table in the Aesthetic Taste (detail of spiderweb inlay, top), about 1880, A. & H. Lejambre, Philadelphia (active 1865–1907)

Tiered Square Table in the Aesthetic Taste (detail of spiderweb inlay, top), about 1880

A. & H. Lejambre, Philadelphia (active 1865–1907)

Rosewood, with mixed wood and mixed metal inlay, and brass straps and sabots

27 1/4 x 20 1/8 in.

Tiered Square Table in the Aesthetic Taste (detail of top), about 1880, A. & H. Lejambre, Philadelphia (active 1865–1907)

Tiered Square Table in the Aesthetic Taste (detail of top), about 1880

A. & H. Lejambre, Philadelphia (active 1865–1907)

Rosewood, with mixed wood and mixed metal inlay, and brass straps and sabots

27 1/4 x 20 1/8 in.

Andy Mister (b.1979), Sparingly Descends the Birches, 2016

Andy Mister (b.1979)

Sparingly Descends the Birches, 2016

Carbon pencil, charcoal and acrylic on paper mounted on panel

32 x 62 1/2 in.

John Moore (b. 1961), Six O'Clock in Mill Town, 2014

John Moore (b. 1961)

Six O'Clock in Mill Town, 2014

Oil on canvas, 42 x 50 in.

John Frederick Peto (1854–1907), Mugs, Bottle, and Pipe, 1890

John Frederick Peto (1854–1907)

Mugs, Bottle, and Pipe, 1890

Oil on canvas, 12 1/4 x 16 1/4 in.

William Louis Sonntag (1822–1900), Dream of Italy, about 1858–60

William Louis Sonntag (1822–1900)

Dream of Italy, about 1858–60

Oil on canvas, 35 1/4 x 55 in.

Paul Wonner (1920–2008), Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair, 1988

Paul Wonner (1920–2008)

Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair, 1988

Acrylic on canvas, 72 x 48 in.

Paul Wonner (1920–2008), Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail), 1988

Paul Wonner (1920–2008)

Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail), 1988

Acrylic on canvas, 72 x 48 in.

Paul Wonner (1920–2008), Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail), 1988

Paul Wonner (1920–2008)

Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail), 1988

Acrylic on canvas, 72 x 48 in.

Paul Wonner (1920–2008), Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail), 1988

Paul Wonner (1920–2008)

Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail), 1988

Acrylic on canvas, 72 x 48 in.

Paul Wonner (1920–2008), Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail of trompe l'ceil signature), 1988

Paul Wonner (1920–2008)

Dutch Still Life with Flowers in Pitchers, Two Tables and a Chair (detail of trompe l'ceil signature), 1988

Acrylic on canvas, 72 x 48 in.

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